Sometimes the most useful information can be found by asking someone directly. I have had the privilege to interview David, a unique creative writer, on his thoughts on antagonists and how to create them.
The Interview
Who is your favorite villain and why?
Javert
in Les Miserables; The Grand Inquisitor in Fyodor Dostoevsky’s
Brother’s Karamazov; The Older Brother in the Parable of the Prodigal
Son. There is an ache of recognition. I see myself in my favorite
villains. They remind me of my own stubbornness. These villains have
logical, valid desires and pursuits and yet have been poisoned by
justifying themselves at the expense of the Greater Good (love, mercy,
paradox).
What do you think makes a memorable character? Or more specifically, a villain?
Tension
in their character…when they bring you to a point of longing for
redemption—even if they have no part in it. If you long for what could
have been in them, that makes them memorable. Darth Vader was
two-dimensional, but when he took his helmet off, you see him as human.
What tips would you give a writer on how to create a good antagonist?
Don’t
write a character who is pure evil. Give them something likeable. A
good antagonist is not very far off from being a protagonist. They have
desire and passion and work ethic, but it is just skewed enough to be
misguided. There is a thin line between good and bad/love and hate. A
good antagonist draws your attention to why they are misguided, and
compels you—even as you hate them—to feel troubled with them and for
them.
Do you think an antagonist has to be a person
specifically, or can it be an inner struggle, event, or something else?
Do you have any examples?
Anything can be an antagonist BUT it is the
human qualities which make an antagonist convey WHY it is an antagonist
and push the themes of the story along.
How do you think an antagonist should relate to the main character?
Troubled relationship. Back and forth. Push and pull. Leading up to a final battle.
Note: David has written multiple short stories that have been published in various collections. His most notable short story, he says, is Things We Knew When the
House Caught Fire. It was published in Best American Nonrequired Reading and again in Best
Christian short Stories. It was
also performed on National Public Radio (NPR) by actor Keith Szarabajka.
One of David's other short stories, Foster, won a Mississippi filmmaker’s grant and was
turned into a short film.
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